Choco
Gill Addison
Connotations II : Ikon Gallery, Birmingham, 7 August 2002 - 5 September 2002.

Connotations II consists of a series of 21 works. Connotations – Performance Images 1994-1998 appear as audience members in Connotations II.

The following text panel accompanied the work:

Connotations II shares a similar premise with Connotations – Performance Images 1994-1998, that is, to document a series of fictional interventions and performances and to explore the ways that text and image combine to create narrative. Using a variety of strategies, all of the fictions in this work are set in the city of Birmingham.

The intention of this new series has been to consider the city through its fictionalisation. Informed by the work of Birmingham based writers Jim Crace and Roy Fisher, this series traces a literary model of invention. The narrative of the work, starting in the countryside and ending in the city centre, invokes the migration of populations to major cities. As the narrative develops, the performances become more central, their location higher as they are staged in the less accessible space of company boardrooms or offices and ending at the highest point in the city – its Telecom Tower.

In contrast to Connotations – Performance Images 1994-1998, works in this series include video as well as actual performances. In Transmarketeering passengers on a specially modified Metro train were given the opportunity to buy fruit and vegetables on the Wolverhampton to Birmingham Snow Hill line. Whistle Concert, a musical concert of whistles made in collaboration with musicians Matt Wand, Steve Beresford and Mick Beck, was preceded by a tour of the J Hudson & Co. (Whistles) Ltd Factory. Finally, a performance at a Birmingham branch of Woolworth’s involved the act of looking at every item in the shop. These ‘actual’ performance works set alongside the ‘fictions’ are similarly represented as image and text.

Video: Edited and shot by Gill Addison. Photographs: Charlie Murphy, Claire Morales and Chris Webb

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Reviews:

Michael Archer in Art Forum.

Peter Suchin in Freize.

All Images:

City_vista
[ Photo: Charlie Murphy ] - [ full size version ]

City Vista

Watching the city between mid morning and late afternoon.

Hands_and_feet
[ Photo: Charlie Murphy ] - [ full size version ]

Hands and Feet

We each dug two large holes and planted our feet in them. The earth released its smell. Our leg muscles displaced tightly packed soil from around the ankles as one hundred toes wiggled to feel the grit between them. Twenty hands dug holes large enough to bury themselves. Our hands and feet are in the land. We should be planting or pulling up vegetables but, as we donít know how, we sow ourselves instead.

Photo: Charlie Murphy

Blossom_time
[ Photo: Charlie Murphy ] - [ full size version ]

Blossom Time

Sausages are positioned lengthwise along the boughs of a tree while cup cakes appear to bud in its branches.

Daisychain
[ Photo: Charlie Murphy ] - [ full size version ]

Daisy Chain

The group formed a human daisy chain, which moving through the garden spelt out the name of the city. The mayorís speech and raffle followed.

Transmarketeering
[ Photo: Chris Webb ] - [ full size version ]

Transmarketeering

Travelling on a tram between two cities, we sell fruit and vegetables to passengers. From a market stall built in one of the carriages we sell potatoes, cauliflowers, swedes, carrots, broccoli, cabbages, plums, apples, bananas, pears, peaches and nectarines. Along the route, prices vary and the cost of produce rises and falls according to our location. As we get closer to the city the prices become higher, only getting cheaper again as we move toward the countryside. There the produce becomes free before ≠ at selected stations ≠ we begin to pay people to take them away.

Piddlepaddlepuddle
[ Photo: Charlie Murphy ] - [ full size version ]

Piddle Puddle Paddle

An empty underpass: the bladder slowly leaks a puddle into the shape of the cityís ring road.

Bubble
[ Photo: Gill Addison ] - [ full size version ]

Bubbler

A series of interventions into the boundaries between road and air. The group forms, disperses and re-forms at ringroads, crossroads, roundabouts, flyovers, crash barriers and junctions while blowing bubbles into the air.

Video Still

Eyeballing
[ Photo: Charlie Murphy ] - [ full size version ]

Eyeballing

We out-stared drivers and pedestrians from the back of this van. Our staring stopped after an hour when the window was accidentally smashed.

Wolly_tachometer
[ Photo: Charlie Murphy ] - [ full size version ]

Woolly Tachometer

The number 31 bus travels toward the city centre. A strand of wool is teased from its ball and tied to a small stone, which is lowered onto the road from a bus window on the top deck. The wool unravels slowly to begin with, drawing out as the bus accelerates. Another yellow line or a long thin exhaust: both measurement of distance travelled and a way to get home.

Impressions_of
[ Photo: Charlie Murphy ] - [ full size version ]

Impressions of . . .

A shirt is customised with a detachable sleeve that is designed to be removed before leaning against a building. After an impression is made on the skin, the sleeve is replaced to cover and hide this private event.

180ditto
[ Photo: Charlie Murphy ] - [ full size version ]

180 Ditto

At the annual autumn festival exactly the same audience turns up for two entirely seperate performances.

All_everything
[ Photo: Chris Webb ] - [ full size version ]

All Everything

An afternoon spent looking at every individual object in a shop.

Nightlife_of_the_jewellery
[ Photo: Gill Addison ] - [ full size version ]

Night Life of the Jewellery

All the necklaces, rings, earrings and bracelets from the window display of a local jewellery shop are put on. For one night only, liberated from the darkness of the night safe, they sparkle in the lights of the pubs and clubs.

Whistle_concert
[ Photo: Chris Webb ] - [ full size version ]

Whistle Concert

A whistle blowing concert with Matts Wand, Steve Beresford and Mick Beck

Finger
[ Photo: Claire Morales ] - [ full size version ]

Index

This forefinger was used to record the city by touching everything it came into contact with on a single day.

Appropriated poster of the work, exhibited in Melbourne 2002.

How_to_catch_a_cold
[ Photo: Charlie Murphy ] - [ full size version ]

How to Catch a Cold

You go to the cinema and buy a ticket for the coldest film in the program. Find a seat in a draught. There is just enough time to eat an ice cream and drink a cold drink. Remove your coat, hat, scarf and jacket to expose the skin on your arms, neck and face. Blow the hairs on your forearm until they stand on end. Close your eyes and imagine yourself into the film: thereís snow and ice against your bare feet and freezing wind on your face. Trying to remember what it was like last winter, you start to believe that you can see your own breath at which point your jaw relaxes and your teeth start to chatter. Blowing your nose repeatedly makes it sore and red and mountains of tissues accumulate around you. Position a polo mint in your mouth to suck in the cold images off the screen.

Shopaholicism
[ Photo: Charlie Murphy ] - [ full size version ]

Shopaholicism

In a local hotel room, the task is to recall the names of different shops in the city centre.

Paid_and_displayed
[ Photo: Charlie Murphy ] - [ full size version ]

Paid and Displayed

We paid £1.60 each to park on the top floor of this multistory car park for 2 hours. After paying and displaying we lay down to begin our various internal transformations.

Thanks to: Di Audi, Harmeet Beetle, Doris Bentley, Andrew F. Escort, Isobel Isuzu, Laura Lada, Alan Mazda, Aikiko Mini≠Cooper, Zena Opel, Ioana Porsche, and Rose Royce.

Into_air
[ Photo: Charlie Murphy ] - [ full size version ]

Into Air

It takes 25 minutes to climb the stairs to the top of the highest building in the city. It is just me and the building manager and thereís some tension: some embarrassment about the slightness of the situation. Once at the top, shoes and socks are removed while blue, white and grey paint is mixed to match the colour of the sky. The same pale-blue, rubbed into outstretched arms and legs, camouflages them as they dissolve into the air.

Choco
[ Photo: Gill Addison ] - [ full size version ]

Choco Gothic

An educational workshop running alongside an exhibition at a local gallery. Working with historically resonant material from the area, the group devised this work in an exploration of free expression.

Video Still